Thresholds (+revised)

Revised Version

Revision 3 (latest)

What changed: The image I wanted in the thumbnail

Revision 2

What changed: For some reason, when revising, the system seems to be placing the revised image in a different location, and perhaps deleting an original. I am revising again to put the original #3 back in.

Revision 1

What changed: I changed the first image as the original #1 was not getting much attention. I think I would change some additional images as well when I collect a few more.

Added after receiving feedback from the community.


Original Version

Project Overview

Image Sequence

Image 1

#1

Image 2

#2

Image 3

This is a new #3

#3

Image 4

#4

Image 5

#5

Image 6

#6

Image 7

#7

Image 8

#8

Image 9

#9

Project Description

Thresholds explores the experience of crossing over boundaries or barriers, recognizing distinct colors/spaces separated by a barrier, a line or lines of some sort. Conceptually, I would like these spaces and colors to represent emotional states or feelings (though they might differ from person to person).

This project is very abstract, and most of these are composed from non-nature elements, drawing largely from areas around my home, including garden spaces, but frequently literal doorways and openings to other rooms inside or outside. All of the images are 8x10, all of them have a division, some have more than one dividing line.

Self-Critique

What I Think Is Working
I think the vertical orientation and portrait inspired aspect ratio is working. It doesn’t dictate where the viewers’ eyes first land or where they go afterwards. I want that to be left to the viewer. A landscape format might encourage the left to right western cognitive bias. The other benefit of vertical is that it also more closely represents the human form and literal doorways. I tried the 4x6 but felt it was too vertical, not concise enough.

What Needs Improvement
I’m not sure about order, and I’m not sure about the green images at all. They are the more organic ones, but also less culturally connected to specific feelings or emotions–just organic, time, growth, so that is relevant.
–I’m thinking about swapping 6 and 7, letting the more complicated image with more orange fall later in the sequence.
–I think I need two or three more images, and I don’t have them yet. Maybe by Thursday I’ll have alternates

Creative Direction

I want this project to feel like an exploration of different emotions and colors, expressing emotional time-spaces through color, but also suggesting how close we are, at any moment, to a different kind of place emotionally, spiritually, or physically.

I want to be clear about this: I don’t think that others need to feel my specific context, and I want the images to suggest beginnings, movement through time and feeling, and hopefully viewers will project their own journeys onto this series.

Skip this if you want to give it an unbiased reaction: The project comes out of my own journey in my domestic space: I am continually moving from grieving to laughing, from being paralyzed with sadness to embracing joy, from thinking about death and loss to embracing life and the future.

I want to avoid overly binary representations of these states in the images, so I am trying to allow them to be complicated, not too specific, and sometimes ambiguous as to the mood itself. There is love in grief and warmth in darkness, so I’m trying to compose those feelings in these images.

Feedback Requested

  1. I’m trying to make sure there is a trend in the viewing of the images of seeing the colors, associating them with emotion, and feeling the shifts both within and between the frames.
  2. I want to know where these images take others–if it takes them anywhere–and if they can apply it to their lives somehow. No need to overshare on the details, but feel free or send me a direct message.
  3. I want to know if any images really don’t work for this, or if any of the colors don’t have a symbolic connection to emotion or feelings or states of being for you.
  4. Should any of these be flipped? Cropped?

Project Intent

Gallery on your website

Additional Details: I’m mostly interested in the conceptual feedback, but I think some technical suggestions might hone that, so I’m open to both.

Right now, I just plan to put this in my Adobe Gallery. I will probably print some as a calendar for family this winter, but most of them prefer more realism in my photos. So it’s pretty much just fir me and abstract enthusiasts.

Marylynne, I went right past this post at first. I think the main reason is that the only image that showed on the thumbnail was one I don’t care for. I think you’d have received more feedback with a different opening shot.

Images 2, 3, 4 and 8 work for me, particularly 3 and 4. I think these are all stronger in a series than they would be as free-standing shots and I hope you continue to develop the series. Image 3 is calm-inducing for me. Image 4 evokes turbulence and is somewhat menacing.

I find myself viewing the border in each shot as a horizon and viewing the rest of the image as an abstract landscape or seascape. That’s probably because that’s what the images most resemble to me. That reaction may disappoint you but I suspect it won’t be an unusual reaction.

I don’t think you should pay much attention to my critique or anyone else’s. Sally Mann once said something to the effect that you have to learn to trust your gut. If an image causes a gut-flutter, keep it. If it doesn’t, junk it. We can all benefit from critiques of technical flaws, of course, but that kind of critique doesn’t make any sense here.

I look forward to seeing more of these.

Hi Don,
I know what you mean about the “cover” image: I tried to edit but couldn’t figure out how to do it for a project post. I want that image to be first in the series, but it’s not representative at all. I might delete the whole thing and start from scratch. I have an idea about how to get some additional images with a more defined “horizon.”

I see a horizon line in these as well, so it is kind of natural to look at it that way, especially for nature photographers, and I’m playing with that idea of foreground and background, land and sky or sky and water. Basically, trying to make emotional representations spatial, which of course, encourages movement through.

Edit: Now that I got feedback, I actually can revise. Initially, that was not possible.

Regardless of the direction this goes, thanks for the feedback. It’s very helpful.

ML

The original poster added a revised version of their image.

The original poster added a revised version of their image.

The original poster added a revised version of their image.

Hello,
I was captivated as I looked at this project, feeling a mix of confusion, fascination, and above all, a desire to understand it.
I really like it.
I’m not sure about the order, but to me there’s one image that breaks the series, #6—that image seems like two distinct, almost symmetrical ones (at least in terms of proportions), whereas all the others have a progression, an evident continuity.
I agree that the series needs one or two more images.
Good work; it got me thinking and made me want to experiment with things…
…(and made me realize that I have to redo my project…)