Adjusted colors:
Something that I learned from @David_Kingham is that you get much more subtle tonal adjustments by using the tone curves in LIghtroom rather than just temp and tint. This lets you adjust all 3 colors, should you need to. I went in and made tone curve adjustments to get the sky in the darker areas near the top more black and slightly desaturated. Particularly, with the black near the top, was it really black? Without something to use for color calibration of the camera, there’s no way to know.
Original:
Critique Style Requested: Standard
The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.
Description
I’m posting this in Landscape because the posts to Night/Astro have become few and far between.
Originally, the forecast called for heavy overcast with clouds decreasing through the night. Not a great forecast for Aurora photography. The “Amazing” aurora described in several newspapers for June 1 was largely a bust in North America, to the point that I read one article describing why the prediction failed…
Watching Aurora prediction (and monitoring) web sites showed a moderate intensity Aurora increasing slowly as June 2 became June 3 in North America. Given the cloud cover, I went to bed, but woke up about 1 AM (Mountain Standard Time) and looked out a North facing window. I could see hints of light on the horizon, under a fairly large cloud, but clear up high with the clouds moving east, so I waited and photographed. I was encouraged when a quick check on one Aurora web site showed the intensity continuing to slowly increase. I spent the next 2 hours photographing as the Aurora brightened and the clouds moved past. The view here is from 2 AM, which was near the peak intensity, with the intensity diminishing over the next hour.
Specific Feedback
The raw exposures where quite dark, but with significant lightening in both LR and PS, the views look good. The processing did significantly enhance the saturation, but given that I could as best see very faint greens and purples, I don’t have a way to calibrate the saturation. Given the rarity of the view in the continental USA, the drama may be appropriate.
Technical Details
R5, 25-105 @ 35, 6 s, f4, iso 6400, tripod and 2s timer. Heavy AI noise reduction in LR.
Critique Template
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