In search of the Holy Grail...

The UR corner of one of the raw files at 100%: (GAWK!!!)

After the Pixinsight treatment below (and after tonal adjustments to darken the sky):

Critique Style Requested: Standard

The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.

Description

That’s not the title of the image. It’s a description of the tilting at windmills I’ve been doing for quite a while, for a way to improve the ugly stars that our wide-angle lenses render away from the center. This is the Rokinon SP 14mm f/2.4, supposedly one of the better lenses for Milky Way work and not one of the super-cheapies – it’s heavy and seems well-built. It’s a fairly recent acquisition and I don’t have a lot of chances to shoot the MW so had only tested it on the sky dome and was reasonably satisfied. At least it’s easy to focus – the story is just crank it all the way to the distance stop. I had done that the previous day on this trip (a workshop in Bodie) and those shots were as expected, but the shots from this night were uniformly bad. Even though I thought I had it well padded in the camera bag, I suspect too many trips on the 3 mile very washboarded gravel road shook an element loose. I haven’t even tested it since but need to. I think it may be a paperweight now. (At least it’s heavy enough to work well.) But it’s an excellent example of what I’ve discovered, outlined below.

Specific Feedback

All comments welcome!

Technical Details

One of the raw files:
Screenshot 2024-11-20 at 4.27.19 PM

I shot a burst of 8 frames and processed them in PixInsight to calibrate and register to give a master file. That was processed with a very magic tool called BlurXTerminator, which does a subtle improvement on the already-excellent stars from a decent telescope. I had no idea what it would do for these horrible stars and was completely blown away. The file then had to be stretched to give a reasonable histogram and was saved as a TIFF. It went into PS to combine the FG, which also wasn’t very sharp, but it will do for now.


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  • Vision and Purpose:
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And here’s a 100% of the Dark Horse region – I can’t get remotely close to this with any of the NR algorithms I’ve tried.

And one of the small set of raw files I used:

Diane,

Nice work. I was seriously considering the Rokinon 14mm as well. did you get the autofocus version or the manual focus version? The first version or the second version? Do you really think it was damaged due to vibrations in travel? Still the coma is not as bad as my Nikon 24mm f2.

I really like the final result, thanks for sharing the post-shutter process!

Question - what did you use to illuminate the old truck and cabin? My guess is the headlights of your vehicle?

Thanks!