Edit: thanks for the comments, suggestions! @harley, good call on your edits. I look back on this and realize how oversaturated the bottom of the original is - at least relative to the top of the image. I had wondered about the bottom of the frame, so thanks for pointing out.
I’ve taken the suggestion and re-worked a couple of options. the first is a similar crop as Harley’s, but I’ve greatly reduced and tweaked the saturation and luminosity of the bottom section. I did leave the top uncropped as I liked the lighter band, swail, in framing the top.
The second repost I started from scratch. I took a second frame with a more favorable, less intrusive bottom and blended with the original.
Thank you for any additional comments, suggestions.
You may only download this image to demonstrate post-processing techniques.
I’m reminded of what Bill wrote recently in one of his WC entries. I can totally relate as I’ve spent much of my time in Yosemite just being mesmerized by the flow of the Merced river - whether it’s during the turbulent spring run off, or the more gentle trickles during fall. I could sit and stare at the river, listening and watching - never once looking up at that monster monolith, El Capitan…
And when the light, reflections, flow and standing waves in the river all come together - it’s time to point the camera and start clicking.
As always, all comments, critiques and suggestions welcome. Thanks!
What technical feedback would you like if any?
any/all - processing, color/sat, etc.
What artistic feedback would you like if any?
This one have enough substance to keep you engaged?
Pertinent technical details or techniques:
Single frame, cropped slightly.
Nikon D800E, 28-300mm @116mm f/16 1.3s