Edit: I added a version with the lupine opened up a bit as suggested. I didn’t want to take it too far, but hopefully this looks a little better.
Original post: Last September I posted this image, and described how I had dumped my original composition because the clouds had turned the mountain into a sheet of white. This is an image from that original composition before I abandoned my post.
While I was kicking back waiting for sunset color, I was experimenting with the focus bracketing feature on my new FujiFilm. The foreground is composed of four of these images, taken at 7:30 pm. The background is composed of two images, the first taken at 7:57 pm and the second at 8:01 pm. (At about 8:02 pm the mountain had disappeared, and as I left I could only see about 10’ in front of the lupine!)
Looking back at these, I decided to see if I could put together a time blended image and come up with anything interesting. Since I was going to end up with a frankenphoto anyway I decided to mess with it more by warming it a tad, using Lens Correction to correct the perspective a bit, puppet warp to straighten the trees, and Transform to crunch it into a 3:4 format to keep Adhika happy. (@Adhika_Lie , this is a joke, of course. But I must confess, your comment in another thread about preferring 3:4 over 2:3 has me thinking a lot about this. I wonder if maybe I do too?? At some point I may process the more original 2:3 version.) Since I’ve taken great liberties, I’ll post the three jpgs the camera created (only one for the foreground, since the other three are exactly the same with minor focus differences) below so you can compare. (To be clear though, I used the raw images that match the jpgs to create this composite.)
Since this is an image I originally had marked for the Recycling, I’d love your thoughts on how it all comes together. Too warm? Does the blend of the two levels of fog in the background work? Too much Lens Correction/Transforming? I realize the methods used to create this aren’t for everyone, so feel free to speak to that as well. (The one thing I will point out is that when you are there in person, the mountain is MUCH more dominant in the scene. It’s amazing how a wide-angle shrinks it.)
FUJIFILM X-T30
FUJIFILM XF 10-24mm F4 at 10 mm (15 mm equivalent)
1/8, 1/15, and 1/30 sec. at f/13 and ISO 160
Blend of four images for foreground DOF, and two more for clouds and dynamic range in the background.