Original Edit:
Revision 1 Edit:
Revision 2 Edit:
RAW:
Summer is slowly making its way to the higher elevations of the Canadian Rockies. Here, a tarn on the edge of the Wapta Icefield is gradually being released from winter’s icy grip. In this image, I wanted to convey that transition, and to highlight the rich colors and textures of the transition from ice to water.
Specific Feedback Requested
This certainly isn’t my most dynamic composition. However, this image represents an attempt to leap forward a bit in my ability to use post-processing to emphasize the story by drawing your eye to the specific features of the image I want to you to notice most. However, I always worry that my post-processing is overdone or too sloppy, so honest feedback to that end is really appreciated. I’ve included a copy of the unaltered image for comparison.
Overall, I’m trying to figure out what I need to do to set my photography apart (aren’t we all!). Thanks for your feedback.
Technical Details
Sony A7RIII with Tamron 17-28 mm f2.8. 17 mm at f/13, 1/4 second at ISO 64.
Post-processing workflow:
1: (in LrC) White balance and minor tonal adjustments; +40 dehaze; lens corrections
2: (in PS with TK8) Luminosity mask to isolate mid-tones; then levels adjustment to improve mid-tone contrast
3: Dodge to lighten the ice/snow in the tarn and the limestone bedrock behind and above the tarn.
4: Luminosity mask to isolate mid-tones again; then curves adjustment to lighten mid-tones and slightly enhance contrast
5: Select sky and reduce saturation (-25) to draw eye to tarn and away from sky
6: Color mask to isolate light grey limestone bedrock; then color balance layer to reduce blue cast in this area (-20 towards yellow, +2 towards green; +5 towards red)
7: Vignette added to top half of image (removed from tarn area)
8: Luminosity mask to isolate brightest area of clouds; then burn to reduce highlights
9: Sharpening in Topaz Sharpen AI (“Out of Focus; Very Noisy” sharpen model)