The original edit of this scene was on the dark side. After seeing Mark Seaver’s high key image that he had lightened up, I tried it with this photo. I like it a lot better as a high key.
Chris, this is a very inviting view of the tree. The subtleness of the colors is a critical element. The tree and it’s reflection are nicely isolated even as the distant shore can be seen, but barely. As a compositional idea, you might try dodging darker parts of the tree’s reflection a bit, their darkness give those areas more visual weight than the tree itself.