Mike,
Welcome to NPN! Beautiful first post here. I too love the soft water like this - in fact I even love it when it goes complete silk, like here. (Of coure I’m glad to have water with all forms of texture and detail…)
Speaking of water, the colors are certainly not off by any significant amount - well within the personal choice realm. But I do really like and appreciate the edit by Jens. Sometimes, color, WB and saturation can be so subtle and nuanced.
Speaking also of colors, it’s interesting to me that I find the mosses to be lovely and vibrant, but not over the top. But the same greens in what little vegetation (pine bow and ferns) do seem a little over, IMHO - again, personal choices. I would also agree with Jens on the oranges/reds in the logs. And again, not off too much - we all know that colors/sat really stand out in overcast and/or diffused lighting.
The only other non-color/sat comment is just about a little edge cleanup. I call it the photo border patrol. For example, bright green leaves LL - lower left edge and some general tidy things along the top edge. Not a big deal in the overall scheme of things, but for me at least, when deciding to print, publish or otherwise share, it’s those little things that can either elevate an image, or detract. I think a very small crop and/or cloning doesn’t do anything to the impact or presentation, just removes some minor distracing elements.
This is a beautiful and intimate scene. Some small tweaks take it up a notch. thanks for posting and we look forward to more and your participation.
I cropped, cloned the LL and selectively adjusted saturation in the green vegetation and the water. Oh, knocked down the red/oranges a skosh
Mike, totally appreciate and understand this comment. I shot film, including 4x5 up until 2015. Myself and many spent so much time getting most out capturing images “in the field” that processing these at most, was enough to make a good print. And I don’t want to assume too much, and I again I know where you’re coming from… this is what I captured and this is what I’ll present - flaws and all. Nothing wrong with that. What changed for me? When I decided I was a photograpic artist and NOT just a documentarian. Yes, we make compositional, lighting and filter choices in the field… but I have long since brought those choices back to the computer. And while I greatly prefer being outdoors! (duh,) I’ve come to really enjoy making my images “the best they can be.” and if that means cloning an errant branch, adjusting colors because Velvia turns magenta and block shadows, etc., then I’m open to creating what I SAW and felt, not what the camera did. That’s just me and my .02.