Almost same as above, but converted to BW. I tried to optimise the contrast between the black and white parts. Should I be more radical?
Off track composition: a combination of the stark B and W with the curvature of the neck, while cutting off the beak to create emphasis on the rest. Does it work for you?
Critique Style Requested: Standard
The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.
Description
At a nearby pond, a swan couple for the first time succeeded in raising four swanlets. I was lucky enough to get very close to one of the youngsters. I think you can see the birds are brand new: not the smallest trace of wear and tear, neither on the feathers, nor on the beak. I was close enough to make eye contact and portraits. I thought it was time to try for specific compositions and for BW conversions.
Specific Feedback
There are swan photographs galore. Trying to find a new way to (at least for me) portray them seemed in the order here. Does it work (for you)?
Technical Details
Canon EOS R6, Canon RF 200-800mm
Picture 1: ƒ/9, 1/1250, @800 mm, 2500 ISO
Picture 2: ƒ/9, 1/1600, @800 mm, 2500 ISO
Picture 3: ƒ/9, 1/1000, @800 mm, 2500 ISO
Critique Template
Use of the template is optional, but it can help spark ideas.
Vision and Purpose:
Conceptual:
Emotional Impact and Mood:
Composition:
Balance and Visual Weight:
Depth and Dimension:
Color:
Lighting:
Processing:
Technical: