Marmalade Ben Loyal

Critique Style Requested: Standard

The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.

Description

Loch Hakel, Sutherland, Scotland.

A Spring dawn on a stormy morning near Tongue and Loch Hakel, Scotland, with the clouds moving swiftly over the serated outline of stunning snow dusted Ben Loyal. The sky which had been thunderous and inky blue in the pre-dawn light suddenly gave way to marmalade stained clouds that smeared across the inky blue clouds in a transitional blur dividing the frame in half, the warmth of hope and cold blue of despair and depression. Whatever it makes you feel it is undeniably beautiful when these boundary conditions occur.

Fuji GFX50S, Fuji GF23mm lens, 0.6 ND Soft Edge, 3 stop ND Polariser

Specific Feedback

Any comments welcome.

Technical Details

Fuji GFX50S, Fuji GF23mm lens, 0.6 ND Soft Edge, 3 stop ND Polariser at f/10, 2seconds, ISO 100.


Critique Template

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3 Likes

What beautiful light. It’s a gorgeous photo.

I love the color of the light in the clouds on the left and the way it leads the eye into the mountains in the distance, Ian. The hint of light on the greenery on the left shoreline also helps lead the eye into the frame. I’m also a sucker for fog so I like the way the clouds interact with the peaks.

I too love the light and fog, and the grasses trailing out to the left add a lot.

For me the very left and bottom are not as strong as the rest of the image, and you might play with cropping a little tighter.

Wonderful image Ian. The way the light transitions across the frame from warm tones to cool ones is quite lovely. I am also enjoying the fog along with the reflections in the water. I could also see another composition in this scene with a tighter crop from the right and left sides. Not necessarily better just a different viewpoint. I hope you do not mind, but here is a rework with what I was thinking. It had to be wonderful seeing this firsthand.

1 Like

Yep it works very well in this squarer crop too. No worries I don’t mind folk trying out variations to show their thoughts.

Ian

| Ed Lowe Valued Contributor
May 15 |

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Wonderful image Ian. The way the light transitions across the frame from warm tones to cool ones is quite lovely. I am also enjoying the fog along with the reflections in the water. I could also see another composition in this scene with a tighter crop from the right and left sides. Not necessarily better just a different viewpoint. I hope you do not mind, but here is a rework with what I was thinking. It had to be wonderful seeing this firsthand.

1 Like

Hi Ian, I think the image is strong the way you shot it. I like the color contrast and the foreground leading to the back. Instead of cropping maybe just bringing down the highlights on the right would hold the viewers in the frame longer. Great scene!

Ian,

Wonderful work as always. I am gobstruck by the level of detail throughout the photo. The balance of warm and cool tones is just a joy to look at.

Hello Steve

Glad you like it. I do agree with the highlights on the right being subdued and indeed they were reduced a little, but once I tried going just a wee bit further the highlights just started to look a bit muddy. Fortunately I have another very similar shot with no highlights on the right at all but less intense colour on the left. I will have a closer look at that version.

Ian

| Steve Diephuis
May 16 |

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Hi Ian, I think the image is strong the way you shot it. I like the color contrast and the foreground leading to the back. Instead of cropping maybe just bringing down the highlights on the right would hold the viewers in the frame longer. Great scene!

Thank you Youssef I must confess I am very pleased with what came out of the back of the camera with absolute minimum processing.

Ian

| Youssef Ismail
May 16 |

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Ian,

Wonderful work as always. I am gobstruck by the level of detail throughout the photo. The balance of warm and cool tones is just a joy to look at.