Critique Style Requested: In-depth
The photographer has shared comprehensive information about their intent and creative vision for this image. Please examine the details and offer feedback on how they can most effectively realize their vision.
Self Critique
I am currently working on a project about “dancing trees”. These trees burned down in a fire and are now standing in bizarre shapes in an empty marshland. When the conditions are right they seem to come alive and due to their shapes many of them seem to interact with each other.
The snow and dense fog helped me to isolate the trees and highlight their shapes by excluding most distracting elements.
Composition wise I deliberately put the tree in the background in the triangle of trunk and branch of the foreground tree. Also I took care, that it does not overlap with the young, living tree to the left.
I specifically chose this picture for the image critique because there are still some distracting elements/branches in the foreground, since I did not want to clone anything out. Unfortunately I could not avoid them by moving around as I would have lost other important elements of the image. I brightened and desaturated them to make them less distracting. I wonder if it is okay to leave them in or if you have any ideas on how to make them even less distracting. In regards to NLPA is it okay to work with techniques such as brightening elements?
Furthermore I would very much appreciate a feedback regarding the color work on this picture. It was a bit tricky to find just the right tonality for the white snow, as it is a very fine line between too blue and too yellow…
Creative direction
Specific Feedback
This picture will be part of a series of 8-10 images of “ballet dancing” trees. I wonder however, if the dancing movement comes across or if it is just me Also, even though I very much like these pictures, I wonder if it is just my emotional attachment to the images or if also from an objective perspective a series like that could work. The shapes and “positions” of the trees are completely different in each picture and many of them consist of more than one tree interacting/dancing with each other. However the colors and context in all of the pictures are quite similar and I am not sure if a set of images like that would still be interesting to a viewer who is not as emotionally attached to the pictures as I am
Also I would very much appreciate feedback on the color work and the approach to deal with distracting elements since these are topics relevant for all the pictures of the series.
Technical Details
Settings: 1/125 Sec at f/9, ISO 160, 53mm
Camera: Sony A7 IV
Lens: Tamron 28-200
Processing: processed in Lr and Ps, trying to get the colors/whites right, brightening and desaturating distracting elements, noise reduction in Lr, sharpening
Description
Walking through the marshlands I could only see ahead like 5-10 meters due to the thick fog. The burned trees, covered in snow, appeared in front of me very suddenly. It was kind of an eery atmosphere. Due to the shapes and interaction between many of the trees they looked either like fighting or dancing trees. Since the world has enough negativity and fights in it at the moment, I for sure chose to see it as dancing movements. Immediately I saw many ballet-positions in the trees and the Idea of a series titled “ballet of the living dead” was born.
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