The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.
Description
The first image is of a woman in NW Kenya. This part of Kenya is little developed and quite different from the part of Kenya known for safaris.
I was attracted to the woman’s wonderfully lined and weathered face. In processing the image I liked this BW version morer than the color version. The photo was taken in bright light.
I took the second photo to show her in her environment.
Specific Feedback
As mentioned above, the top photo was taken in bright light. I had dialed in some negative exposure comp, but even with that there were specular highlights which I tried to burn. What do you think of the first image in that regard? What do you think of the composition of either of the photos?
Technical Details
First image: 70-200 lens at 115mm, 1/640, f/2.8, ISO 250 and -0.7 exp comp.
Second image: 70-200 lens at 70mm, 1/2000, F/2.8 and ISO 100.
Critique Template
Use of the template is optional, but it can help spark ideas.
Black and white is wonderful for lined faces, Richard and this image demonstrates that very well. The environmental portrait adds some nice context. The bright light is singularly appropriate for where she lives.
I love the black and white close up. Really great character.
On the environmental portrait, it feels a little flat. I would be inclined to try an increase in mid-tone contrast and perhaps some dodging of her form to draw the eye in.
Fascinating face!! The tonal range is wonderful, with rich silver mids. I don’t see any evidence of taming highlights. As interesting as the face is, I wonder about a slightly looser composition, with edge burning if necessary due to distractions. It is quite strong enough to stand out in a larger environment.
Do you know anything about the anthropology of this area? I’m wondering if her origins are Ethiopian/Somalian?
Stunning image of that wonderful old face, and perfect in B&W. Exquisite detail. The environmental one is excellent as well. I, too, would like a bit more room around the face
Exceptional work!
I can see why you opted for the black-and-white treatment, Richard. It really accentuates the texture and character of her face in a way that color might not. The intricate details and the weathered lines become the focal point, drawing us into her story and experience. The bright light you mentioned works beautifully to highlight these features without creating harsh shadows, making every wrinkle and crease a testament to her life.
The close-up perspective that captures the intricate details of her expression and adornments. The decision to shoot in bright light works well here, accentuating the texture and contours without harsh shadows. This enhances the emotional impact, drawing the viewer into her gaze and the history etched into her skin.
Dennis, Marylynne, Diane, Sandy and Don: thanks to all for your comments. I shot this image very tight to begin with and cropped from a 3x2 aspect to 5x4. In doing so, only a very little was removed from image right and some of her bead work at bottom.
Diane: I know nothing about the anthropology of this area.
