BLACKWATER CHAPTER TWO LILY PADS

Project Images

Gallery Overview

Individual Images


Image 1


Image 2


Image 3


Image 4


Image 5


Image 6


Image 7


Image 8


Image 9


Image 10


Image 11


Image 12

Project Description

A blackwater swamp is a slow-moving body of water that flows through wetlands or swamps and is stained a dark, acidic color that resembles black tea. The water gets its color from tannins that seep into the groundwater or drain into streams and lakes as vegetation decays. The tannins can come from fallen leaves of trees like oak that grow along the river’s edge. As the water rises and falls, it also draws nutrients from decaying plant and animal matter, which fuels the aquatic ecosystems.
I was born in Naples, Florida, about a half hour from the Big Cypress. My interest in photography started when I was around ten years old. My first camera was a J33 Polaroid, which I saved green stamps to purchase.
Living in Naples, I had no interest in swamps at all; I now live in Connecticut. In 2019, I was on a business trip in Florida and stumbled on Clyde Butcher’s Gallery on US 41. I was blown away by Clyde’s art and commitment to the Everglades ecosystem. I booked a swamp walk with Scott Randolph, the naturalist at the gallery, purchased my first digital camera, and walked into the swamps.
I make two pilgrimages to the Southeast Wetlands each year, spring and winter.
This project was created in May 2024 at Santa Rosa Beach, FL. Santa Rosa Beach is home to several coastal dune lakes. These lakes are a unique geographical feature and are only found in Madagascar, Australia, New Zealand, Oregon, and the panhandle of Florida. Each lake has a very different ecosystem. I ran across the lily pads on one of these lakes and spent the day fascinated by them.
My goal is to share the beauty and importance of swamps and wetlands. My vision is not to document but to share the emotional experience.
Thanks Steven Rosendahl

Self Critique

When I tell folks I love swamps, especially Blackwater Swamps, their first reaction is usually WHY. Most folks have not been in a swamp environment and think of dirty water, snakes, alligators, and other scary things like disease.
Once Scott guided me through the Big Cypress, I found them very beautiful, quiet, ecologically important, and needing some love.
My goal with chapter two of Blackwater is to refine my visual storytelling.
Has this ongoing project improved over last year?
What I like about the project is the Blackwater as a background creating a graphic strength to the images. The submerged rocks take on a magic quality created by the tannic acids’ color. The range of lily pad colors nature provides.

Creative Direction

My creative direction is to draw the viewer into the beauty of a small part of the swamp. I developed the images to create a solid graphic visual response, not a document.

Specific Feedback

I am looking for viewers’ emotional responses to the story.

Intent of the project

LensWork Image Suite Submission

Additional Details: The Blackwater project’s goal is to find a way to share my vision with the greatest number of people.

Alternate Images

Please provide feedback on whether any of these images would fit more cohesively in the project.


Alternate Image 1


Alternate Image 2


Alternate Image 3

2 Likes

Hi Steve, first of all I think this is a great continuation of your last Black Water series and a fitting “chapter two”. Looking at the images as a whole I really like the vibrant green against the dark watery background and the bold contrast. Some might say that some of your whites are too hot (and technically they may be) but I think that in this case it’s alright because that works with your chosen aesthetic.

When I look at the images individually, two things jump out at me:

  1. images 6 and 10 both have more yellowish leaves and bluer water while all other images have green leaves and black water.
  2. images 6 and 10 (again) also look very similar to each other, just one is slightly more rotated.

Now obviously it’s your project and completely up to you what you do with it but if I was doing this I would reprocess one of those two image (it doesn’t matter which) to be more similar colourwise with the bulk of the images and then replace the other image with alternate image 2 which I feel really fits in with the other images.

Otherwise, I think your doing a great job with these projects and congratulations on your first project being featured in the latest issue of Nature Vision Magazine! Kudos!! :slight_smile:

1 Like

6 and 10 are killer images. Especially number 6.

1 Like

These are really dynamic and fun to look at, Steve. Personally, I like the images where the stems/leaves do not crowd the edges of the frame, the ones that float freely in the black or extend into it from one or two sides only.

So, if I were to pick my favorites, it would be 1, 2, 3, 6, 7, 8 and 10 and 12. I concur on the bluish quality of the water in 6. and 10, but I do like the lines and shapes in both, and would be inclined to keep them both.

This is an exciting project, and the value of swamps (both ecologically and aesthetically) is a worthy cause.

ML

2 Likes

Thanks Guys
@Tom_Nevesely, @Igor_Doncov, and @Marylynne_Diggs
Tom, thanks for taking the time to dig into my project. I agree with Igor. My favorites are 6 and 10, which is probably why I included them.
Marylynne, thanks for your insight, about the background.
Question for anyone is there a way to do a redo with a project?

Steve, sorry so late to the party on this, but these are really cool, and a great extension to your earlier project on blackwater. As the others, I really, really like 6 and 10, with 7 as a close third. I agree they seem to be a bit less cluttered if all of the leaves are separated from the edge a bit. Nice series, with nice light and colors.

What a splendid work Steve! 6, 10 and 4 in this order.

Congratulations Steve on your feature in the Nature Vision Magazine on this project. Very cool.