Repost: 8x10, based on Ed’s crop below, with some additional removal of ferns foliage for room at the bottom. I couldn’t find a standard aspect that removed more off the top, but if anyone knows of one, I’m always open. I tried square, but it definitely felt tight.
Originals Below
5x7 Aspect (first image was 4x6)
Critique Style Requested: Standard
The photographer is looking for generalized feedback about the aesthetic and technical qualities of their image.
Description
I went to the Japanese Garden mid-day last week partly because they were having a Japanese Food pop-up, but I took my camera and tripod just in case. The conditions were not bad…got a little rain, but then thin clouds. The azaleas were beaming white, which made contrast tricky, but I was mostly interested in returning to the pond, rock, lantern, fish theme I explored last Fall.
I decided I wanted to use a slow shutter to capture as many fish as possible and get them to streak a bit. I have a few others I’ll share tomorrow or next day that show longer streaks, but this was one of my favorites.
I liked the reflection of the trees and the way the background foliage almost looked like a partly cloudy sky in the reflection. Somehow, rock, water, fish, and trees created a complete world of sorts.
Specific Feedback
I’m always open to any and all feedback, including “ain’t nothing new here,” but in particular, I’m curious about the following:
- Does the scene feel like its own little world? That was my sense while photographing it. I wanted it to feel isolated and kind of idyllic. Fish with no fear of sharks or hooks or propellers, in a garden of their own.
- I initially felt like the image works best in the taller crop, but I’m not sure. And they are "virtual copies of each other, but I think there is more saturation in the 5x7. Which do you like better? If you like the 5x7, how would you shift the frame? Is it too saturated? Feel free to crop and share.
- Does it have lasting interest? Or does it feel like another shot of a Japanese garden with koi? (not that there’s anything wrong with that)
- Does the koi entering from the bottom screw things up? Or is it like a character entering a scene from the camera operators position (a who’s this guy gonna be? kind of thing).
Technical Details
Canon 5DIV with 24-105mm at 28m
ISO 125, F/14, half a sec


