Critique Style Requested: Initial Reaction
Please share your immediate response to the image before reading the photographer’s intent (obscured text below) or other comments. The photographer seeks a genuinely unbiased first impression.
Questions to guide your feedback
What do you see here and what is your reaction?
Other Information
Please leave your feedback before viewing the blurred information below, once you have replied, click to reveal the text and see if your assessment aligns with the photographer. Remember, this if for their benefit to learn what your unbiased reaction is.
Image Description
If this wasn’t mine, I would have no idea! When I can remember, I have found this technique to produce some pretty cool results. Going beyond a standard ICM with various movements, one can combine multiple shots in-camera using the multiple exposure feature. At least with the Nikon you can also select the blending mode. In this case, I used the dark blending mode.
This was captured last summer up on Sonora Pass here in CA. On the side of the road was a nice patch of Fireweed - something I’ve not seen much of in the Sierra. The surround greens, leaves and some rock combine for some interesting results when put in motion. A vertical and then diagonal ICM exposure combined in camera. I have several of these from different and unsuspecting scenes that I’ll be sharing as well.
I’m not sure if this is anything more than fun. I will be curious to learn folks reactions.
Technical Details
Nikon Z7ii, 28-400mm @79mm, f/25 .4s ISO 40.
2-image in-camera ICM multiple exposure
Specific Feedback
Of course colors and processing. The good news is that there is complete leeway on processing given the very abstract nature of this. Your initial and final impression much appreciated!
Critique Template
Use of the template is optional, but it can help spark ideas.
- Vision and Purpose:
- Conceptual:
- Emotional Impact and Mood:
- Composition:
- Balance and Visual Weight:
- Depth and Dimension:
- Color:
- Lighting:
- Processing:
- Technical: