It doesn’t say the landscape can’t be man-made or a still life.
I shot this in the early 80’s when I was exploring what I called Alternate Evolutions, where things just turned out differently because of nature’s Occam’s Razor. The image was used on a poster published by the Orange County Arts League in conjunction with arts events surrounding the LA Olympics.
It consists of found objects arranged in a way to imply the impression of depth and scale. The objects were arranged on the inner side of a 20x24 unexposed color photo paper envelope. It had a moderately reflective, plastic coated surface that reflected light sources back in a diffuse manner. The whole set is only about 2.5 to 3 inches deep. The prints were 16x20, made at about 100% size, so the objects were life-size.
The originals images were Ektachrome 4x5 tungsten transparency film filtered for daylight. The lighting was a mixture of tungsten bulb and reflector (warm), with a north light coming through a glass door (cool).
Specific Feedback Requested
Any and all comments welcomed: concept, execution, techniques, etc.
Technical Details
Is this a composite: No
Shot with a 4X5 studio view camera about 4.5 feet above the floor, Schneider 210mm lens (normal), tripod, probably 3 seconds at f/32 or 45 for DOF, Lighting as mentioned above. Probably 16 - 20 hours in the studio setting it up before shooting.